12/3/2023 0 Comments Adobe premiere pro export settings![]() The Wraptor DCP encode/output begins in Adobe Media Encoder CC 2014. All in all, this is a 4-minute timeline that's going to take about 20 minutes to encode, which should give you an idea of the time involved in creating this format.įigure 6. Hit play, and your encode begins ( Figure 6, below). Save to the location of your choice, as with any other export.īack in the Export Settings dialog, click Queue to launch Adobe Media Encoder. Just as with any other export from Premiere Pro, make sure you're saving your output where you want it to go ( Figure 5, below), and click Save. You don't need to choose any other audio settings for your DCP output. The other parameters-Sample Rate (48000 Hz), Sample Size (24-bit)-are in the background. I don't have a 5.1 soundtrack for this project, only Stereo, so I'll choose that from the options in the Audio tab, but note that you can encode your DCP with 5.1 if you're working with a 5.1 surround source. He points out you’ll need to be working on 8K in an 8K sequence as it won’t properly scale during the export if you are trying to go to 8K from a 4K sequence. Choosing the 2048x858 (Scope) will produce a wide image and crop your image vertically. Working with an 8K sequence in Premiere Pro, Chung jumps into the settings. The codec, as you can see in Figure 4, is JPEG2000 frame rate is the same as the source field order is the same and the bit rate is set to 250Mbps, although you can change that parameter if you need to.įigure 4. In this example, I'm going to go with 1998x1080 (Flat), because it's the closest option to the original aspect ratio of the footage I'm working with. With 2048x858 (Scope), for example, Adobe Media Encoder will need to export a very wide image, and you'll lose a lot of vertical space, as shown in Figure 4 (below). Which one you choose will depend on the resolution or aspect ratio of the equipment used by the digital cinema where you're film will be shown.įor the three different options, you'll get different cropping. Under Basic Video Settings, when you click the Video Dimensions drop-down, you'll see three format options that represent standard formats for digital theaters ( Figure 3, below). Choosing Wraptor DCP as the Format option in the Export Settings window. ![]() But now in the Format drop-down, shown in Figure 2, you can see that the options now include, down at the bottom, Wraptor DCP.įigure 2. I'm going to export the timeline as I normally would, bringing up the Export Settings window shown in Figure 2 (below). ![]() There are 3 cameras, all filming at 720p. The footage used in this example is a multicam sequence produced by provided by Viewfinders TV and features Greg Howlett (you can see him at the keyboard in Figure 1) performing a concert from a few years ago. I won't walk you through any aspects of the edit, since when we're talking about creating a DCP, our workflow really begins at the export stage for creating the final output file. Exporting Your Project to DCP Using the Wraptor Plug-inĪdobe and Quvis have teamed up to build the Wraptor plug-in directly into Adobe Media Encoder.
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